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Monday, 1 November 2010

POST # 392 Pat Metheny on Bach's Fugue No. 22 in B-Flat minor

“The main reason I picked this was the way he was able to invoke this almost lyrical, vocal, singing quality from an instrument that doesn’t involve breath. We all have the same mandate, in a way: we try to communicate the kinds of phrases that would be believable if somebody were singing them.”

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