I wasn’t totally original on that. It had been done to death in the folk clubs a lot; Annie Briggs was the first one that I heard do that riff. I was playing it as well, and then there was (English guitarist) Bert Jansch’s version. He’s the one who crystallized all the acoustic playing as afar as I’m concerned. Those first few albums of his were absolutely brilliant. And the tuning on “Black Mountain Side” is the same as “White Summer.” It’s taken a bit of battering, the Danelectro guitar, I’m afraid
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