EBAY PRICE GUIDE : G&L F-100 F100 Guitar w/ ORIGINAL Case Series

I have never played one of these but they looks like good quality instruments! Get a collectable today before some rock star decides to play one and drives up the price! Scroll down to see how much it sold for. Here's the blurb from the seller.


Hello eBay!

Here I have a nice Series I G&L F-100 Electric guitar. Included is the original Hardshell case. This guitar is a pretty straightforward legacy of the legend Mr. Fender himself.

Own a collectible: Own a piece of guitar history!


























G&L F-100 F100 Guitar w/ ORIGINAL Case Series I
WILL SHIP WORLDWIDE!!!! INTERNATIONAL SHIPPING!!!!

Item condition: Used

Ended: Mar 14, 201113:15:58 PDT

Bid history: 38 bids


Winning bid: US $647.00

Wes Montgomery's Cariba - Part A (Bars 1-4)

Bars 1-4 of Wes Montgomery's Cariba and what he played over it in subsequent solos

Chords are :

Bb7 |Bb7 |Bb7 |Bb7 |

heres how Wes outlined the changes

- Ascending F minor triad

- Descending F minor 9

- Bb blues scales, F minor arp

- repeating C minor 7 arp

- descending Fm7 arp , descending Bm9 arp (becomes alt dom)

- descending F dorian scale

- call response between chord and bluesy line

Heres the example played once





Here's the Example played a few times each

Wes Montgomery's Cariba Solo

Wes Montgomery's Cariba is a Blues in Bb

Here's the version we'll look at

EBAY PRICE GUIDE : Vintage Gibson 1979 ES-175 Charlie Christian MINT! CC

Here's a rare ES0175 Charlie Christian model from the late 70's.  Looks like an absolute stunner, even with original receipt ! You wont see this everyday!  I wish Gibson would re-issue an archtop with the CC pickup I bet it will be a seller for players and collectors alike.    Scroll down to see how much it sold for. Here's the blurb from the seller.



Howdy! This time I have a 1979 ES-175 Charlie Christian (CC) Model that is in what I would consider mint condition and plays perfectly. It's hard to describe the nature of this one. Pretty much never played by the original owner, great action. Original case. Some Case Candy, as seen. Probably never left the house until it fell in my lap for sale. From what I've found only 479 of these were manufactured between 1978-1980. A very unique model that is seldom seen. A Jazz Guitar at it's best! This guitar is being Sold AS-IS...but you will not be unhappy. The case is in near perfect shape...Please ask any and all questions and I'll get back to you. The last one on Ebay sold for $3200.00 and looked pretty nice but this one is truly near-perfect. Shipping is to the lower 48 States Only and will be $85.00 with all new packing materials and great care with packing and fully insured. I've done this many times without a hitch. Have a good time with this one and let's see what happens!


































Vintage Gibson 1979 ES-175 Charlie Christian MINT! CC




Item condition: Used



Ended: Apr 03, 201114:24:42 PDT



Bid history: 1 bid





Winning bid: US $3,000.00

Did you know that Fender's first tremolo amps were......

Fender's first tremolo amps were the Tremolux in 1955 and Vibrolux in 1956.

The first 'add on' tube powered tremolo effects unit was the Gibson's GA-V1 in 1956.

Joe Pass Rosetta Part E (Bars 21-24)

Joe Pass' solo on Bars 21-24 of Rosetta

The chords are

C C#dim | Dm G7 | C7 | C7 |

Joe employed the following to outline the changes

- ascending C Major 9 arp
- descending Dm7 arp
- ascending B Maj Triad over G7
- descending G minior line over C7

- C blues over whole progression

- repeating major scale fragment
- descending C7#5b9 arp

- descending Fminor scale over Dm7
- ascending F Major traid and descending C Aug traid over C7

Example Played Once Only




Example Played A Few Times

Joe Pass Rosetta Part D (Bars 17-20 )

Part D Joe Pass' solo on Bars 17-20 of Rosetta

The chords are |

 Am | Bmb5 E7 | Am | D7 G7 |

Joe uses the following to outline the changes

-ascending A minor scale
- E7 arp from 3rd
- ascending D9 arp
- descending G7#5 arp

- playing E7 over Am
- ascending A minor triad
- ascending D7 arp over E7
- descending C blues over last bar

- playing ascending scale in 3rds
- 3 to b9 over E7
- ascending C Major7 arp over Aminor

- outline E7b9
- ascending D9 arp


Examples Played Once Only






Example Played A Few Times Through

EBAY PRICE GUIDE : 1967 Vox Apollo guitar w/ orig. HSC

A cool vintage Vox with built in effects!  Sounds groovy. Scroll down to see how much it sold for.  Here's the blurb from the seller.

Here is a Cherry red 1967 VOX APOLLO GUITAR with EFFECTS and OHC.




EFFECTS-



E-Tuner:



Treble Boost:



Distortion/FUZZ:







http://www.youtube.com/watch?v=SqtW2Huym3o







Sorry NO INTERNATIONAL SHIPPING







Shipping to Lower 48 states



Cheers !




1967 Vox Apollo guitar w/ orig. HSC




Item condition: --



Ended: Jul 03, 201117:07:38 PDT



Bid history: 6 bids





Winning bid: US $661.00

Joe Pass Rosetta Solo Part C Bars 13-16

Joe Pass solo on Bars 13-16 of Rosetta

| G7 | C7 | F | E7 |

Joe used the following to outline the changes

- ascending Dm triad over G7 ( = G9 sound)
- F blues

- ascending Gm scale over C7
- descending C# dim arp over C7
- ascending F major patterns
- descending E Aug Triad over E7
- chromaticism

- descending F blues pattern over first 3 bars

- repeating F blues pattern over first 3 bars

- ascending Bb Major 7 arp over C7
- ascending F Major scale

Did you know that all vintage Telecasters have 3 saddles....

All vintage Telecasters have 3 saddles, but in the mid 1970's six saddle bridges were phased in.

Joe Pass Rosetta Solo Part B (Bars 5-8)

Part B is bars 5-8 of Joe Pass' solo on Rosetta

The chord progression is :

| G7 | C7 | F | Gm C7 |

Joe uses the following ideas :

- descending Major scale pattern
- descending C Aug triad

- Over turnaround plays F Maj Triad, Ab Major Triad, Db Major Triad, ends with descending C Aug triad

- sub arppegios Em, Ebm, Dm,Dbm over  | F | Gm C7 |

- line moving chromatically from A to F

- substitute Am D7 Gm C7 over   | F | Gm C7 |


examples played a few times each

Joe Pass Rosetta Solo Part A ( Bars 1-4)

Bars 1-4 of Joe Pass' solo on Rosetta
The Chord Progressions are

| F | E7 | Eb7 | D7 |

Joe uses the following

- Dominant 9 arppegio
- Descending Ebm melodic minor over D7
- Ascending diminished arppegio over dominant

- Ascending Major 7th Arppegio
- Descending D wholetone scale

- Motives
- Descend A minor arppegio over F Major
- Ebm9 over D7

- Ascending Cminor scale over Eb7

- Ascending and Descending Eb 9b5 arppegio over Eb7

- Ascending Am7 arp joins to F Major 7 Arp over F



Examples Played a few times each




examples played once only

Joe Pass' Rosetta Guitar Solo

Looking at how Joe Pass soloed over an old standard Rosetta.

Here's Joe's version

EBAY PRICE GUIDE : 1959 Gibson Les Paul Junior Jr ...LOOK

From the golden age of Gibson, comes this 1959 Les Paul Junior Jr.  It have been refinished however but that just means it's probably affordable!   Still way coooooool if you don't mind just rocking out on a single P-90 !  Scroll down to see how much it sold for. Here's the blurb from the seller.


 
 
1959 Gibson Les Paul Junior Jr ...LOOK!!!!


KILLER TONE FOR THE AGES!!!

Hello and thanks for looking!




You are bidding on a refinished 1959 Gibson Les Paul Jr. No breaks ever. All original sans a few screws, even the nut and frets are original. Frets could use a light level. I bought this guitar at the Philly Guitar Show in the Fall of 2004 as you see it. This is a magnificent sounding guitar...think "Mississippi Queen" or early Humble Pie. Sweet chimey cleans all the way up to the most raucous raging dirt tones you will ever hear. Strong 8.2K Dog ear P90.



During it's life with me I have gigged and recorded with it and it always stays in my home studio which is set at 50% humidity



The headstock face and rear was simply cleared over so the original serial # is intact and the checking on the front is under the clear. I have tried to show the numerous nicks and dings the guitar has accumulated during my ownership. The dealer who sold it to me told me Lay's Guitar in Ohio refinished the guitar(supposedly it was finish stripped in the 70's like most were) but I have no proof of that. Smart on whoever did it to leave the headstock alone.



The jack plate has some cracks in it and the lower truss rod cover screw hole is stripped but not so bad a few slivers of mahogany could not fill. I have simply left that alone through the years. It will ship in a brand new TKL Les Paul case and it will be well packed and de-tuned. Please keep in mind that UPS now requires an item of this value to be brought to a hub or be given to a driver. The nearest hub for me is at least 40 minutes so I would most likely wait for a driver where I work. They are usually here every 2-3 days.



Good luck and please ask ALL questions before bidding.



Thanks!







--------------------------------------------------------------------------------

On Apr-04-11 at 09:18:41 PDT, seller added the following information:



Hi, just a friendly edit here. I've had inquiries to the weight of this guitar and shame on me, I forgot to list it. The guitar weighs 6lbs 13 oz. I snapped a pic of the guitar on a digi scale and if you would like to see that, please contact me and I will sned you the pic! Good luck and happy bidding!





Item condition: Used



Ended: Apr 05, 201112:25:00 PDT



Bid history: 4 bids





Winning bid: US $2,650.00

Wes Montgomery - Four on Six Part D (Bars 13-16)

what Wes played over Four on Six Part D (Bars 13-16) and on subsequent solo

The chords are

| Bb | D7 | Gm | D7 |

Wes employed the following:

- upper and lower encircling of Bb
- outline Gm6

- descending G harmonic minor pattern
- play C9 arppegio over Gm

- D7alt with #5 #9 b9 = Ebm9 arp
- G minor triad

- approach 3rd of Bb chromatically (C C# D)

- octives
- approach 3 to 5 chormatically ( F# G G# A ) over D7alt
- emphasis Gm6
- descending blues scale from b5

- 5 b5 5 over Bb Major
- ascends chromatically

- call and response between line and chords
- sliding chromatic above into diminished chord over D7alt
- descending blues scale from b5

Wes Montgomery - Four on Six Part C ( Bars 9-12 )

what Wes played over the Bars 9-12 of Four on Six and on subsequent solo

The chords are

| Gm C7 | Gm C7 | Gm C7 | F7alt |
Wes used the following ideas

- C wholetone scale

- Bb Major 69 over Gm
- F7alt scale

- Call and Response
- EbMajor7th over F7

- repeatly playing root note of home key (G) in syncopation

- Octives using Gminor arppegio and G blues

- Cm7 arppegio over F7

- Call and response / repetition between phrase and chords



Examples played once only




Examples played slowly and few times each

Wes Montgomery - Four on Six Part B (Bars 5-8)

Wes Montgomery - Four on Six Part B ( Bars 5-8) for practice

what Wes played over Bars 5-8 of Four on Six and on subsequent solo

The chords are

| Cm F7 | Bbm Eb7 | Am D7 | Ebm Ab7 |

Here is an interesting sequence that takes you from the

IV chord ( in this case C minor) to the

V Chord ( D7 ) with last bar being a tritone substitution for V chord (Ab7 = D7 alt)

Variation 1 : emphasize the b5 sound of the Dominant chord

Variation 2 : upper 9th extension of minor chord ( playing Gminor over C minor )
                     repetition and anticipation
                     play Major idea from b7 of Dominant chord ( Ab7 = Gb Major9)

Variation 3 : Play descending Major 7th arp over minor chord ( Cm = Eb Major 7th)

Variation 4 : take same motive ( 1 b7 1 6 ) across harmony
                     play Major idea from b7 of Dominant chord ( Ab7 = Gb Major9)

Variation 5 : just playing the root note of key ( Gm ) , then outline the V chord ( D7alt) at the end

Variation 6 : Octives, take motive ( 6 3 1 b7 ) over harmony
                     Gb Major arp over Ab7 again

Variation 7 : Octives and play around 6/5 and 1/b7
                     descending Gb Major 7 arp over Ab7

Variation 8 : descending minor 9th Arppegio

Wes Montgomery - Four on Six - Part A ( Bars 1-4 )

Wes Montgomery - Four on Six Part A ( Bars 1-4 )

what Wes played over the 1st four bars of Four on Six and on subsequent solo

The chords are

| Gm C7 | Gm C7 | Gm C7 | Gm C7 |

In the solo Wes used a variety of techniques including...

outlines the Gm7 chord with arppegios
used call and response
repetitions
upper extensions (playing A minor arppegio over Gm )
octives
blues scale
approaching chord tones from half step below


Example played a few times


Examples played once only

Wes Montgomery - Four on Six

Here is Wes Montgomery's Four on Six ( live at half note version )

Its in the key of G minor



Here's the chart


http://www.myrealbook.com/displayTune.htn?uniqueId=2bb833c2-754e-4734-a3d1-075821f0ee77&transpose=0

We will look at how Wes solos over each section (4 bars at a time!)

Donna Lee Part G (bars 25-32)

DONNA LEE PART G

head and what charlie parker played

chords are
Cm F7  | Bbm Eb7  | Ab      |  Bbm  Eb7   |

Donna Lee Part F (bars 21-24)

Donna Lee Part F is bars 21-24, head and what Charlie Parker played over the solo.

The chord progressions are

Fm | C7 | Fm | Bdim |

Donna Lee Part E (bar 17-20)

Donna Lee Part E is bar 17-20 of the head and what Charlie Parker played over the solo

The chords are

Gmb5 | C7 | Fm | C7 |

Donna Lee Part D (bars 13-16)

Part D is bars 13-16 of Donna Lee, head and what Charlie Parker played in the solo

The Chords are

Bb7 | Bb7 | Eb7 | Eb7 |
V of V chord progression

Donna Lee Part C ( Bars 9-12)

Part C is bars 9 - 12 of Donna Lee and includes the head and what Charlie Parker played during the solo

The chord progressions are

Db | Gb7 | Ab | F7 |

you can think of Gb7 as Db minor as well

Donna Lee Part B ( Bars 5-6 )

Part B is : Bars 5-8 of Donna Lee including head and Charlie Parker's Solo


Chords are | Bb- | Eb7 | Ab |Ab7 |