No, I started on a Harmony guitar, an acoustic model with steel strings. I began on simple chords like most everybody, and then I studied for a year on the Nick Lucas book. After that I got on to the Carcassi classical method for a while because the pieces in it were a lot better. They had a lot of movement in them, more chord changes and sophistication than the books of chords I'd come across. So I think that developed some sense of harmony in me. - JOE PASS
Then I had a couple of music books; the Nick Lucas and Carcassi, like I said, and every day I had to start from the beginning and go through them. And then he'd also bring home piano music, anything . . . like, once he brought home the Flight of The Bumble Bee and said, 'Play it.' That was the way I learnt to play, by actually playing a lot and filling in all the spaces and not leaving gaps in the music. And then he would say, 'Play me a song - make it up.' He might do this every day. He didn't know anything about music, he didn't play an instrument; but he wanted us to become something more than a steel-worker like himself. For instance, he had the idea that my brother who was eight or nine was going to be a writer, so he had him write stories every day, books of stories; he'd say, 'Make up a story and write.' - JOE PASS
(I had a old Carcassi book too! Unfortunately thats where the similarities ends. Time to dig out the old Carcassi book see if I get some inspirations! - Ed)
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