We flamenco players usually improvise with the interpretation and the expression of the music from within, as it is composed, unlike with jazz improvisation, which typically involves scales and patterns. – Juan Manual Canizares
From the maestro (Paco de Lucia) I gained much experience and above everything else I learned the importance of small details. I learned to do subdivide well in terms of rhythm – triplets, sixteenth notes, etc and that much must have order within its space. – Juan Manual Canizares
(Clip of Paco De Lucía, José María Bandera, Juan Manuel Cañizares- Ed)
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