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Friday, 22 October 2010

POST # 382 George Barnes on F Holes and Feedback

I designed that guitar back in 1961. When I first saw it, it was a piece of wood from Norway. My guitar is made from the finest woods. The pickups are suspended and the sound comes out of the body from the cut-out area of the top around the pickups. The guitar's sound works much the same way as a round-hole's, except my sound comes out of two enlarged triangular holes around the pickups. I knew that if I had a live top with suspended pickups, I'd get a better sound. I realized a long time ago that f-holes cause feedback. Both George Van Eps and I discovered that about the same time. We did a concert together in Aspen, Colorado and we both started laughing when we saw each other's guitar. He had put foam rubber in his f-holes to cut out the feedback, and I had taped mine over.

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