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Friday 12 November 2010

POST # 403 Pat Martino on his Picking Style

It was always there. It just sounded good to me, and that’s how I’ve always played. When I was 14, and taking lessons with [legendary music/guitar instructor] Dennis Sandole, I was constantly breaking strings because of my aggressive attack. So, I decided to keep increasing my string gauge until they stopped breaking—and I ended up at a .016 high E—which I still use today, although I have another guitar setup with .015s that I occasionally use.

Dennis tried to get me to hold the pick in different ways, and practice scales nonstop in an effort to minimize the string breaking. And, out of respect for my teacher, I tried that stuff, but my ecstasy with the guitar was definitely being interrupted. Thankfully, it returned when I upped my string gauge.

Oddly enough, I was never concerned about my picking hand. I never analyzed it, and I’ve always let it do what it wants to do. However, my left hand is extremely intellectual in regards to its analysis of the fretboard. It’s the exact opposite of the other hand. The left hand is the graduate, the right hand is the drop out, and I allow them to exist accordingly.



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